MY BROTHER GEORGE FILM 3 part Cinematic Series Fund Raiser

View at your discretion & Donate if you feel fit – People funded media When One is in crazy town One should know the grammar of absurdity-this is not a form of entertainment it is cinematic art – Z compositional form IMPLICATE ABSTRACTION … ??? … james ford … ??? …

… part 1 runtime 54:57 …

… part 2 runtime 36:27 …

… part 3 56:53 …

Send all donations by money order-Thank You- here’s a sample for those who are unfamiliar with money orders- I put money order info directly below in order as it is seen & placed on money order – Thank You

Pay to: James Ford

Address: T.W.I.I 508c1a 377 E10st APT 4A NY,NY 10009

Memo: JINGI TRUST / trustee James Ford

  • PLEASE ADDRESS MAIL/ENVELOPE TO:
  • T.W.I.I – in care of rassi
  • 377 E10 st, APT 4a
  • NY,NY, 10009

STUPEFiED every saturday CARAVAN of DREAMS East Village NYC 405 e 6th a solo performance Show times 1:30 & 3:00pm $20 suggested but all donations are appreciated…

STUPEFiED solo performance James Ford in an original composition plays JINGI a Hobo navigating degrees of illusion; some welcomed some not…

… absurdist art using space and object work while playing multiple characters in an original composition & orchestration – heightening and exploring the every day habituation that we see playing out in our common world experience. Jingi a Vagabond finds a spot in an alley to steal away from the world & have a drink with an imaginary friend – though this welcomed diversion is interrupted by unwelcomed delusions – expressed in this performance as 5 scenes : CLANDESTINE PANCAKES – CAPOTE & SAM – FAMILY COFFEE – SUPERMAN LIBERTY – IMPERSONATION OF MODERN WAR UNCLE KLAUS – all distinctly different stories with the common theme of our conditioning and habituation. We are all human. We are all fallible. We are all responsible. Using the original compositional form IMPLICATE ABSTRACTION the form is content – all transitions are fluid and part of this original orchestration. James ford was introduced to “space” & “object” work via Viola Spolin in the studio with Hal Pellar & fellow players – refining his form with Mik Kuhlman – an original composition you will not see again … ??? …